Wailers selassie is the chapel the lord will make a way somehow


At the start of the 70’s, Bob Marley was one of the biggest stars of the Carribean, but he was relatively unknown abroad. By 1972, Marley was in London promoting a new single, when he was signed by Island Records, the most popular indie label of the time. Bob Marley was thus given access to the best recording equipment in the world. Soon after, Marley began a tour of America, opening for the most welcomed black American entertainment group of the time, Sly and the Family Stone. After only four performances, Marley and his band was fired from the tour because audiences liked them better than the band they were opening for. Throughout the seventies, Bob Marley continued to record and tour, gaining a tremendous amount of international popularity. By 1980, Bob Marley was an internationally sensation. His largest show attracted over a hundred thousand people in Milan in 1980. By this point Bob Marley had gone from being the first Third World Superstar to being the iconic leading figure of the genre of reggae. He died after a battle with cancer in 1981 [3] .

Jamaican Rastas are descendants of African slaves who were converted to Christianity in Jamaica by missionaries using the text of the King James Version of the Bible. Rastas maintain that the King James Version is a corrupted account of the true word of God, since English slave owners promoted incorrect readings of the Bible in order to better control slaves. Rastas believe that they can come to know the true meanings of biblical scriptures by cultivating a mystical consciousness of oneself with Jah, called “I-and-I.” Rastas read the Bible selectively, however, emphasizing passages from Leviticus that admonish the cutting of hair and beard and the eating of certain foods and that prescribe rituals of prayer and meditation. Based on their reading of the Old Testament, many Rasta men uphold patriarchal values, and the movement is often charged with sexism by both insiders and outsiders. “Iyaric,” or “Dread-talk,” is the linguistic style of many Rastas, who substitute the sound of “I” for certain syllables.


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